Alphabet changes color of communication

Lee Freedman has waited a long time, but he thinks the moment is finally right to spring on the world the color alphabet he invented as a 19-year-old at Mardi Gras in 1972.

For 35 years, between stints as a doctor, a real estate agent and a pizza maker at the Woodstock concert in 1994, Freedman has been working on Kromofons--an innovative alphabet in which the 26 English letters are represented solely by individual colors--waiting for technology to catch up with him.

And now, thanks to the Internet, the ubiquity of color monitors, Microsoft Word plug-ins and his being able to launch a Kromofons-based e-mail system, Freedman thinks he is finally ready.

Imagine getting an e-mail whose text is not the familiar black letters on a white background, but instead a series of colored rectangles.

That's how Kmail, the Kromofons e-mail system, works. Using a translation key, Kmail recipients can piece together what a message says, letter by letter, word by word.

That's how it would work at the beginning, and Kmail is largely the Trojan horse that could help people learn to adopt Kromofons and be able to read the new alphabet. Freedman's hope is that after not too much exposure to Kromofons, either in a Kmail message, or in some other form, you would begin to be able to read the alphabet the way you would with normal letters. And once that happens, he predicts, a whole new world of communications can open up, as words can be embedded in images just about anywhere.

It may seem confusing, but it's actually very simple, in concept at least. The letter "a" is represented by a bright yellow, "b" is a light blue, "c" a pale pink, "d" is grey, "e" is orange and so on.

The system presents some problems because the colors of some letters are similar to the colors of others. So the first few times a person looks at the translation key, it can be confusing, but the more time spent with it, the more it begins to make sense.

That confusion would most likely plague adults, of course. Kids are more likely to catch on much faster.

"Children really pick this up very quickly," said Tony Janson, the co-author of History of Art, who has spent a significant amount of time learning and thinking about Kromofons. "They start using the colors for different shapes and writing messages to each other, and they have a blast with it."

James Bennett, the dean of interactive media at the International Academy of Design and Technology, in Tampa, Fla., agrees.

"Children are going to learn a lot quicker, because they're little sponges," Bennett said. "Kids will (say), 'Yeah, this is cool,' and they will learn stuff just because it's cool."

For Freedman, Kromofons--for which he has applied for a patent--is much more than a kid's toy.

He sees Kromofons as nothing less than something that can change the way people think.

Freedman pointed out that for the entire history of the written word, humans have been reading in black and white. Now, he argued, people will begin to read in color, both in static words and animated phrases.

"That's going to change the way you think," Freedman said, "because knowledge that's coming in is going to be processed differently."

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