March 20, 2008 5:09 PM PDT

Why is Universal Music cozying up to Apple?

Doug Morris is supposed to be the music industry's hard-liner.

The chairman and CEO of Universal Music Group, Morris yanked music videos off Yahoo and sued MySpace for copyright infringement. He threatened to pull songs from Microsoft's online music store unless Bill Gates forked over a $1 for every Zune music player sold. He seethed over Apple CEO Steve Job's refusal to let him and the other label execs set song prices on iTunes.

So why is he now offering Jobs a plum of a deal?

Morris has approached Apple with an idea to offer a device that comes preprogrammed with Universal Music's entire library on it, sources told CNET News.com. A music industry source said Wednesday night that Apple has broached the idea of bundling music with the other three major labels but didn't show much enthusiasm for the plan. "Apple was just inquiring about whether this kind of thing would interest (the other record companies)," said the source.

It's clear now, two days after The Financial Times broke the news about the Apple-label discussions that Morris, not Jobs, came up with the idea.

Insiders say Universal Music, whose artists include U2, DMX, and The Killers, wants to pump life into subscriptions, and is tired of seeing Apple selling songs cheap and making fat margins on the music players. Not surprisingly, he wants a slice of device sales from any gadget maker that licenses his music. Morris also has ambitions of turning Universal Music into a total entertainment company.

The plan now is to "partner instead of just being a vendor," a source close to the label told News.com.

Universal revamping strategy
In the proposal Universal Music pitched to Apple, the device would come with all-you-can-eat music for a period of time, perhaps a year, and then owners would be "rolled over into a subscription service."

Label wants to breathe life into subscription services

(Credit: Universal Music Group's Web site)

Subscriptions services, such as Napster, Yahoo Music and RealNetworks' Rhapsody are dwarfed by Apple's download store but are still very important to executives at Universal Music, say insiders. They see it as a way to get people to keep paying for music and to keep tabs on what audiences are listening to, sources say.

Universal Music was a big backer of an ISP tax, according to reports. And last October, BusinessWeek reported that Morris had also toyed with the idea of enlisting the other three majors to create a music-subscription service. The plan seemingly was derailed when the U.S. Justice Department began investigating whether such a consortium would violate antitrust laws.

"These guys at Universal," said one music insider, "are so obsessed with this subscription thing...but there are publishing issues involved with bundling and I don't think they make much money off it."

What can't be overstated is Universal Music's desire to get a taste of device sales, insiders say. Back when Apple's iPods became the rage, everybody in the music industry realized they missed an opportunity. While Jobs made pennies on song sales at iTunes, he pocketed 50 percent profits on some iPod models, according to estimates by iSuppli.

It's safe to say that almost all the major players in the music industry see that as unfair. They argue that what people want isn't a music player. It's the music.

That's why Morris went after--and got--a share of the Zune as well as devices offered by Sirius Satellite Radio, XM Satellite Radio and Nokia.

The FT reported that Morris wants $80 for any Apple device bundling Universal Music songs, while Apple has offered $20.

Getting a share of music players is smart, said Forrester Research analyst James McQuivey, even if it is late. But he warns that whatever gains the labels make on device sales, they could lose in other areas. Allowing Jobs to place their music catalogs on a single device might allow him to offer a breakaway handheld that could overshadow any other gadget or music service out there.

"The labels would just be turning over their music to another Apple-only environment," Forrester Research analyst James McQuivey said. "Nobody would want anything else."

"This kind of offer would kill CD sales far more quickly," McQuivey said. "You'd be giving people that typically buy music a reason to quit buying. Besides killing off CD sales, the music industry would harm two areas that are going strong for it right now. One is MP3 sales and the other is the (free streaming) music offered by social networks Imeem and Last.fm. If I were the music labels, I would tell Apple to come back in 2009, after I've given these other services opportunity to grow."

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Add a Comment (Log in or register) 49 comments (Page 1 of 2)
Rumor
by ewelch March 20, 2008 6:19 PM PDT
This is based on rumor and speculation. There's no real evidence this is happening and it's really a textbook example of yellow journalism to repeat these rumors as if they were fact.
Reply to this comment
Thanks but no Thanks!
by georgiarat March 20, 2008 6:21 PM PDT
That should be Apple's response. I am not interested in a subscription service and most other people or not either. As for Universal, well, they know where they can go.
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Reality
by wyly295 March 20, 2008 6:45 PM PDT
I cannot believe how disconnected from reality most posters appear to be when they opine on the music industry. The situation we face now is unsustainable chaos. Most people haven't a clue about economics, the value of music, the cost to produce music, the effects a "free music" environment will ultimately have on the quality of music produced, or lastly the fallacy Apple is foisting upon them. Subscription music is not the devil. I subscribe to Napster and love it. I occasionally purchase mp3 files as well. Subscription music is an excellent value propostion if you are someon who needs more than the top 100 songs over and over to be satisfied. Stop stealing, you idiots. And Mr. Morris at Universal, give up on the pre-loaded hardware concept. It sucks. Why don't you get behind Rhapsody and Napster. They have viable business models that provide value for everyone. And while your at it, force Apple to ditch the proprietary DRM. The world needs a single industry standard hardware agnostic DRM for subscription (and all other) music. Get it done. It's the only thing that will save you.
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Typo
by Galaxy5 March 20, 2008 7:47 PM PDT
Your caption reads "breath life". As you know, it should be "breathe".
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No you can not have MP3 players profit just because!
by mclaughlinc March 20, 2008 9:56 PM PDT
So by the record label logic movies companies should get a piece of every DVD or TV sold or how about car companies wanting money for oil companies. While I agree these companies need to find new sources for revenue, this is not a valid argument, in my opinion. The smartest thing I read about their plan was wanting to convert Universal into a media company, which by the way, isn't there a Universal Movie company already? What do you think the CEO of that sister company think of that, if it's not the same guy.
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Makes complete sense
by varun_prasad March 20, 2008 9:57 PM PDT
It makes complete sense that Universal wants to encourage subscription services. They have recognized with the internet, there is no need for the music label middleman, since music acts can sell music directly (or give it away for free, and make money of concerts, and memorabilia). The music subscription business is the only way to make labels relevant, because the only way for an artist to get into this deal is through a music label. Even if subscriptions mean less money now, it is a great future play for the music labels.
Reply to this comment
digging
by wyly295 March 20, 2008 10:19 PM PDT
You're right, this "comes with music" scheme looks desperate. I can't believe Doug Morris is still running that company. He publicly admits they didn't have a clue what to do all along and wouldn't have known who to hire if the did and now he comes up with this scheme that people will game to no end. Can't they see that the root of the problem is multiple DRMs? If all digital music played on all hardware people would be buying and subscribing like crazy.
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proprietary DRM
by danieln92000 March 20, 2008 11:27 PM PDT
I find it very hypocritical of you to criticize Apple for having proprietary DRM when you yourself use it (Napster uses Janus - a version of Windows Media DRM). While I agree that Apple should open its DRM or help create a new universal standard, I think it best we go for Apple's chosen codec, AAC (a standardized codec that was designed to be the successor of mp3). Even better would be the elimination of DRM altogether as that would solve a host of problems, including platform interoperability (I switch between Mac OS X, Windows Vista, and Linux on more than a daily basis) and device interoperability without the added cost of developing a new standard or switching to another.
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Out With The Old...
by artistjoh March 20, 2008 11:34 PM PDT
As an artist I wish to point out that the Music Industry as with other traditional middle men in the arts (gallery owners, record company's, magazine publishers, etc) are claiming to represent us. It is not true. There are a tiny number of big name acts who support the record industry because they have managed to cut themselves a fat deal from the record industry. Most of us on the other hand are either screwed or ignored, and we are grateful that the Intertnet has provided the opportunity for artists to go the Indie route and access our audience directly. The economics of arts middle men was once dictated by the fact that the real producers of music and the other arts (musicians, artists, writers, etc) had no other way of reaching a significant audience. We needed them and they behaved as though they had us over a barrel. They had real power, and they liked it. The Internet has changed that and the record industry likes to behave as though they deserve a profit, but why? They don't earn it any more, at least not like yester-year. They have a role but it is diminishing, and they need to realize that their slice of our pie needs to reflect the new reality. It is not true that music standards will fall as a result of the record industry making less money. It is more likely to improve as most independant artists discover that they can make more from their music by being independant than by signing away their rights to an arrogant record company. Most artists prefer the independence of working for themselves than becoming the hack of the marketing department at Universal and other heartless entities. It is a new world that will benefit both artists and consumers alike. Folks you have to pay the artists, but it isn't nearly as much as the record company wants, and in this brave new world lets not support their old ways of profiting from both of us, nor their crazy schemes to rake in undeserved dollars from the technology company's that have pioneered the new reality.
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It's not just the iPod people want...
by jmooring March 21, 2008 12:23 AM PDT
... it's the integration Apple sells that appeals to so many folks. People buy into the ecosystem as opposed to just the device. But even just considering the iPod by itself, though it may not have been the first portable jukebox it was certainly the first to combine that kind of capacity with an appealing form factor and simple interface. That's a pretty compelling value proposition on its own. Clearly content is central, but to say that it's the music people want and not the player is to miss the bigger point. Like it or not, it's the overall experience of accessing and interacting with a large music collection that Apple has really nailed.
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